Which deaths and which births have influenced and changed my life so far?
Who have I welcomed, who have I lost and said farewell to – and what has happened to me in the process?
Mats Staub’s artistic projects take us on a journey to the four corners of the world, inviting us to take time to listen and watch. Without resorting to simple spectacle, Mats Staub has over the years developed an exceptionally coherent poetry that gives us portraits of intense humanity. With refined delicacy and meticulous formal rigour, his works explore our most intimate and personal dimension, confronting us with the multilayered complexity of our time.
In the long-term project Death and Birth in My Life two people talk to each other about their experiences of birth and death – they are filmed both talking and listening, so you can see both the narrating and listening faces on two monitors at the same time. As a video installation in theatre spaces, it creates a communal, immersive experience. Siting in small circles you will have the impression of being with the participants – a small group of strangers who meet to listen to stories, in a suspended time where you can allow yourself to reflect on endings and new beginings.
So far, Mats Staub has recorded 85 conversations in Europe and Africa and for each local installation he then makes a specific selection of films that create connections for the viewers to different regions of the world. With his work, he wants to create a space that enables empathy, participation and connection and encourages and frames talking about one's own experiences. A place that allows painful feelings and talking about things that are otherwise excluded, and in the best case also offers the experience of consolation.
Press
«Showing speaker and listener simultaneously on two screens, the installation inserts us at the heart of these deeply personal conversations, creating an absorbing oasis of reflection.»
The Guardian, 20.9.2019
«Stories that get under your skin and touch your heart. The form is an absorbing one that allows scope for one's own thoughts and memories. Mats Staub presents us with a gift: the art of listening.»
bz Basel, 06.06.2019
«Listening is the essential ingredient in any conversation. Allowing what we hear to hover in mid-air frees us from instant comments and conventional responses. Nothing gets talked to death. The essential theme of the evening is the question: “How do we talk to each other?”»
ProgrammZeitung Basel, 30.05.2019
Stations
Ravenna, Polis Teatro Festival, May 2024
Santarcangelo, Santarcangelo Festival, Livingroom Edition, July 2022
Cividale del Friuli, Mittelfest, July 2022
Milano, Zona K, May–June 2022
Munich, Spielart Festival, Livingroom Edition, October–November 2021
Dublin, Dublin Theatre Festival, October 2021
Bern, Museum of Communication, April–May 2021
Basel, various living rooms, January–March 2021
Makhanda, Monument Gallery, November–December 2020
Chur, Theater Chur, November 2020
Bern, Museum of Communication, October 2020
Groningen, Noorderzomerprogramma, August 2020
Salzburg, Salzburg Museum, in the Frame of '100 Years Salzburger Festspiele', July 2020–October 2021
Avignon, Festival d'Avignon, 74th Edition, July 2020
Makhanda, National Arts Festival, June– July 2020
Basel, Kaserne, January 2020
Frankfurt, Künstlerhaus Mousonturm, November–December 2019
Munich, Spielart Festival, October–November 2019
Manchester, Sick! Festival, September–October 2019
Paris, Centre culturel suisse, September–October 2019
Perg, Festival der Regionen, June–July 2019
Hannover, Festival Theaterformen, June 2019
Basel, Kaserne, June 2019
Credits
Idea, Concept, Direction: Mats Staub
Camera: Benno Seidel, Matthias Stickel
Scenography: Monika Schori
Dramaturgical Associate: Simone von Büren, Elisabeth Schack
Research: Tim Harrison (Manchester), Maia Marie (Magaliesburg), Patrick Mudekereza (Lubumbashi), Dada Kahindo (Kinshasa), Marcus Rehberger (Basel), Nele Beinborn (Frankfurt), Wolfram Sander (Hannover), Leo Saftic (Perg), Celya Larré (Paris), Peter Husty (Salzburg), Justin Murphy (Dublin), Federica Di Rosa (Milano)
Technical Direction: Hanno Sons, Stefan Göbel
Postproduction: Benno Seidel
Translation, Subtitles: Simona Weber, Martin Thomas Pesl, Cinzia Schincariol, Matthias Stickel, Benno Seidel
Production Management: Barbara Simsa, Pearl Herbert
Production: zwischen_produktionen
Co-production: Kaserne Basel, SICK! Festival Manchester, Künstlerhaus Mousonturm Frankfurt, Festival Theaterformen Hannover, Festival der Regionen, Spielart Festival Munich, Centre culturel suisse Paris, Migros-Kulturprozent
Funding: Fachausschuss Tanz und Theater BS/BL, Pro Helvetia Swiss Arts Council, Christoph Merian Stiftung, Ernst Göhner Stiftung